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Whichever one of the Haim’s writes the lyrics is a goddamned genius.
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The original hooks on the above songs will have their barbs in you for days on end.ĭays Are Gone follows the pop template to its own undoing, though. And all three women use their tightly wound harmonies effectively and impressively. Lead vocalist Danielle Haim is a constant surprise, taking some of the most unusual roués to squeeze in her discursive lyrics of personal joys and woes. It’s one thing to give these reference points the spotlight, but the goal is to transcend them in some fashion. One song later, they bring in the ruby-colored synths and spirit of Whitney Houston’s “I Wanna Dance With Somebody” to augment their own “If I Could Change Your Mind,” and follow that up with “Honey & I,” which hews as close to the template of Eurythmics classic “Right By Your Side” without becoming an straight cover song.
#Haim days are gone wallpaper mac#
2” hybrid then moves into a mixture of late ‘70s/early ‘80s rock touchstones from their beloved Fleetwood Mac to Linda Ronstadt to Billy Squier. The most recent, and blatant, example is the group’s latest single “The Wire.” It opens with a “Heartache Tonight”/”Rock & Roll, pt. Lately, though, the feeling has shifted to: “Huh, this song sounds almost exactly like that song.” This is the trouble Robin Thicke and Pharrell have stumbled into with their facsimile of Marvin Gaye’s “Got To Give It Up.” And it’s something that you are going to be hearing about a lot in reference to Days Are Gone, the first LP by all-sister trio HAIM, because these young women don’t try to hide their pastiche approach to songwriting in the slightest. The idea, as far as I understood it, was to imbue in the listener the feeling of “Oh, this song reminds me of that song.” How a band or artist distinguishes the work is in the shading or smoothing over of those imprints. When knocking a pop song into shape, the finished product is always going to bear the marks of its influences.